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ODYSSEY Ancient World Music (Compilation Two)
20.00 €
If we are to preserve culture, we must continue to create it. — J. Huizinga
ODYSSEY music album is the 2nd compilation by SEIKILO Ancient World Music Channel, featuring an amazing team of affiliate artists including Loudovikos ton Anogeion, Thanasis Kleopas, Shingo Ali Masuda, Lina Palera, Yannis Pantazis, Theodoros Koumartzis, Giorgio Sancristoforo, Evagoras Bekiaris, Thanos Stavridis, Lorena Atrakzy, Claire Fontanille, Dimitra Kandia, Angela Monaco, Saraï O’gara, Johanna Schlottke, and Artemis Agathopoulou.
_In a nutshell _ancient world music _epic lyre music _lyre improvisations _ethnic tones _cinematic music narrative
_Songs’ list one_ Spark two_ Odyssey three_ Cursed four_ Perperúna five_ Pendulum six_ What is the Colour of Love? seven_ Autumn Leaves eight_ Hroes nine_ Harmonia Radiorum ten_ Toxicity (covering System of a Down)
_Artists Angela Monaco _vocals (4) Artemis Agathopoulou _lyrics (2) Bastian Kieslinger _ancient lyre & bendir (10) Claire Fontanille _vocals (4) Dimitra Kandia _vocals (4) Evagoras Bekiaris _pandura (5) & beats (8) Giorgio Sancristoforo _ancient kithara (9) Johanna Schlottke _vocals (4) Lina Palera _ancient lyre (8) Lorena Atrakzy _vocals (4) Loudovikos ton Anogeion _vocals & mandolin (6) Saraï O’gara _vocals (4) Shingo Ali Masuda _qanun (7) Thanasis Kleopas _ancient lyre (2) Thanos Stavridis _accordion (1) Theodoros Koumartzis _ancient lyre (1, 3 to 7) Yannis Pantazis _double syrinx (3)
_Production team
Art Direction Nikolaos Koumartzis
Production, Mixing, Mastering Evagoras Bekiaris
Supported by LUTHIEROS Musical Instruments
Special thanks to SEIKILO Ancient World Music Channel
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^ In Classical Greece, the concept of support & guidance by a more experienced elder was prominent. In Ancient Rome, the support took many more forms, including financial. The latter became crucial for artists in medieval and Renaissance Europe. In James Barry's painting titled "The Education of Achilles," we see Achilles being guided by centaur Cheiron (oil on canvas, Yale Center for British Art). His patron Edmund Burke —an Anglo-Irish statesman and philosopher— played a crucial role in helping J. Barry keep creating masterpieces.
< In Classical Greece, the concept of support & guidance by a more experienced elder was prominent. In Ancient Rome, the support took many more forms, including financial. The latter became crucial for artists in medieval and Renaissance Europe. In James Barry's painting titled "The Education of Achilles," we see Achilles being guided by centaur Cheiron (oil on canvas, Yale Center for British Art). His patron Edmund Burke —an Anglo-Irish statesman and philosopher— played a crucial role in helping J. Barry keep creating masterpieces.
The Ones Who Matter the Most
From the ancient world onward, patrons of the arts played a key role in art history. With roots that go back to philia in Classical Greece and clientela in Ancient Rome, patrons gave the opportunity to great artists to survive and thrive in medieval and Renaissance Europe. The concept survived to this day, with whole communities acting as modern patrons or sponsors to single artists.
In the worldwide lyre community, there is a need to support the ones who matter the most, i.e., the ancient world artists who give voice to the lyre. And for that, we have to provide them with all the needed tools to share their music with the world: well-thought music video productions and premium music albums with supreme studio-quality audio.
Along with the SEIKILO Ancient World Music Channel, we have done that for years: covering all the expenses for great productions for ancient world music artists, helping them make a living from their music.
If you want to be part of that supportive community, this is your chance! For any music album you order, 100% of the income goes for new music videos and music album productions.
Be part of an ongoing legacy and make ancient world music accessible the way it should be: at its best.
References
Dameron, G. W. (1991). Episcopal Power and Florentine Society, 1000-1320. Cambridge: Harvard Univeristy Press.
Quinn, K. (1982). Poet and Audience in the Augustan Age, in Haase, Wolfgang (ed.). Aufstieg und Niedergang der römischen Welt. Vol. 30/1.
Zelnick-Abramovitz, R. (2000). Did Patronage Exist in Classical Athens?, L'Antiquité Classique, Année 2000, 69.
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Support the Artists
Every order goes 100% to finance the next music video production or studio recording!
Supreme Sound
Studio-quality supreme sound, mixed & mastered by great music producers around the world.
Premium publication
We only use top-quality papers and state-of-the-art printing technologies for our premium music albums' digipacks.
Delivery
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ODYSSEY Ancient World Music (Compilation Two)
20.00 €