Rhythmic Elements for the Lyre Player
24.00 €
To be a musician, as we are always insisting, implies much more than a knowledge of Harmony, which is only one part of the musician’s equipment, on the same level as the sciences of Rhythm, of Meter, of Instruments. — Aristoxenus of Tarentum
In our endeavour to rediscover ancient Greek music, Aristoxenus of Tarentum is without a doubt the most valuable source. A researcher of mousikē, which in ancient times encompassed all the Muses’ gifts—song, dance, and poetry—Aristoxenus sought to study and explain the underlying rhythmic patterns that govern them all, starting at the beginning, with the metric podas or foot, and advancing to the complexities of rhythmical structure.
All these he included in his work Rhythmic Elements, the second most important—after Harmonic Elements—of his surviving treatises. This seminal work remains the most important resource on rhythm for the student of ancient music, who faces, however, an almost insurmountable problem.
Written for his ancient peers, Aristoxenus’ treatises are almost incomprehensible for the modern musician due to a terminology that is either completely unknown or contradictory to Western music theory. This is exactly where the value of this book lies.
A long-awaited publication, the Rhythmic Elements for the Lyre Player bridges that gap. Featuring both the original and the translated text, it goes one step beyond. Using sheet music, modern notation, and passages from the original text with explanatory notes, this book attempts to explain Aristoxenus’ teachings in a simple way, aiming at the modern musician. Moreover, this publication contains not only the surviving fragments of Aristoxenus’ book, but also passages recorded by other ancient writers who studied his work.
Whether you have a lyre at home, or a true eagerness to understand ancient Greek music, this book is the way to dive into the world of rhythmopoiía, the rhythmic composition of the ancients.
_Credits
Nikolaos Koumartzis, D.Phil. (editor-in-chief)
Fotis Giantsios, M.Litt. (research director)
Lina Palera (composer)
Rogelio Toledo, Ph.D.(c), University of Vienna (foreword)
Armand D’Angour, Professor of Classics (scholarly advisor)
Michael J. Griffin, Professor of Classics (scholarly advisor)
_Publication ID
Paperback Premium Edition
Dimensions: 16 x 23 cm
Pages: 108
Plus Sheet music for the ancient Greek lyre
24.00 €

Historic Accuracy & Playability
It's not a battle. It's about finding the right balance.

^ Linus, the legendary lyre teacher, along with one of his students, Mousaios. This is one of the earliest surviving school scenes, and it is depicted on an Attic red figured kylix, ca. 450-400 B.C. Attributed to Eritrea Painter. Musée du Louvre, Paris, France.
< Linus, the legendary lyre teacher, along with one of his students, Mousaios. This is one of the earliest surviving school scenes, and it is depicted on an Attic red figured kylix, ca. 450-400 B.C. Attributed to Eritrea Painter. Musée du Louvre, Paris, France.
Bringing Ancient Artifacts Back to Life
Re-inventing the ancient lyre and re-introducing it to the modern world is an act that can directly connect us to our ancient heritage. Giving a voice to a musical instrument silenced for two thousand years and more is our way of paying our deed to the great minds of the ancient world.
But how, you may ask, can an educational system be developed when there are so many different types of lyres out there with entirely different tunings and numbers of strings? The solution is simple but not easy: we have to standardize the lyre as the modern classical guitar was standardized back in the 19th century by Antonio de Torres Jurado, Ignacio Fleta, Hermann Hauser Sr., and Robert Bouchet.
And this is precisely what we have been up to for the last decade. With careful steps and persistence, we listen closely to the people that matter the most: the musicians. And then, we act on their feedback before pausing and listening closely, once again, to their comments.
So, this book series is the latest addition to our effort to enrich the available educational resources for lyre and lyre-like musical instruments. Our hope is that this three-volume series will beneficially complement our already established and very effective online studies or even make you explore more techniques available at the Lyre Academy.
References
Hawkins, J. (1776). A General History of the Science and Practice of Music, Cambridge University Press.
King, A. H. (1968). Four Hundred Years of Music Printing, Trustees of the British Museum, London.
Pöhlmann, E. (1970). Denkmäler altgriechischer Musik. Sammlung, Übertragung und Erläuterung aller Fragmente und Fälschungen
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Rest assured that your order finances the research needed for the next installment of the Lyre Mythos series so we can dive deeper and bring you the next valuable insight into the rich lyre mythos.
Premium publication
We use state-of-the-art printing technologies for our premium publications, considering deeply our impact on the environment. This is why we only use carbon-neutral processes and exclusively FSC-certified paper made of responsibly sourced wood fiber.
Delivery
Rhythmic Elements for the Lyre Player
24.00 €